Chris Lee

"'America' is almost like a spice or a salt that you put on a scary word."

The film—starring Channing Tatum and Daniel Craig as hillbilly thieves—is the director at his best: clever and funny as hell.

'The Dark Tower' is finally a movie, after more twists than a Stephen King novel.

Luc Besson, proven master of the sci-fi genre, bets his studio on a race of pricey, pearly aliens.

In just 10 years, Hawaii has evolved from the state most reliant on fossil fuels to the most forward-looking renewable energy producer.

When Justin Bieber was cited for reckless driving last month, the teen heartthrob claimed he was simply trying to avoid aggressive paparazzi. His car, however, made flying under the radar impossible.

How 'MIB3' nearly turned into a disaster movie.

Tim Burton's latest is an ode to a '60s soap opera.

This year, it's so nice you'll see it twice.

Lionsgate has a megahit. Now it just needs a profit.

'John Carter' may be the next 'Waterworld.'

Gustavo Dudamel is the Elvis of the orchestra world. He's bridging the generation gap—and saving classical music.

Director Steve McQueen casts Manhattan as an erotic Disneyland in his latest film, 'Shame.'

It wrecks ­marriages, ­destroys ­careers, and saps self-worth. Yet ­Americans are being ­diagnosed as sex ­addicts in ­record numbers. Inside an epidemic.

The comedian drops his stoner act and embraces his nerdy side in 'Moneyball.'

Macho men are back with a vengeance—and they're making the U.S.A. feel good again.

Tinseltown has been chasing Bin Laden for as long as the military has.

What drew a Shakespearean master to a flashy blockbuster about Viking mythology?

Full-frontal dude-ity isn't limited to visual punchlines in comedies like "Forgetting Sarah Marshall" and this summer's "The Hangover Part II." Male genitals (or, to use the now popular Hollywood vernacular, "peens") are cropping up across the cultural grid.